Category Archives: Television

Preserving “A Month in the Country” for Film4

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The latest restoration project we have done for Film4 and Finishing Post Productions is the 1987 classic film, A Month in the Country. Directed by Pat O’Connor and featuring both Colin Firth’s and Kenneth Branagh’s screen debuts, the story about two WWI veterans is considered a bit of a hidden gem.

A Month in the Country is set during the great British summer of 1920. However, in true British form it was actually shot in really wet weather. This posed a bit of a challenge for Anthony and the restoration team, as they were working with the original negatives from the mid-80s. They had to treat the grain and get the balance between the vibrant colours of summer and the actual conditions right.

We started the processed by creating a new conform because the negatives were A/B roll cut. They also needed stabilising, and the dissolves and fades recreating. We then used our ArriScan to capture a super 2k DPX sequence, and multiple non-destructive restoration tools, including Cinnafilm Dark Energy, to achieve a clean master and treat grain structure. YoYo was then used for a full DATA grade. Finally, we restored the audio to remove the hissing and crackling.

We delivered the HD master back to Film4, and the film is set to air later this year.

A note from Film4’s Kate Robinson: “A Month in the Country is a bit of a forgotten classic with a first-class director and cast. We wanted to bring it back to life and take it to international audiences. It was in need of an upgrade though, so an HD remaster was essential – the result is excellent.”

Five facts about … TV viewing habits

The future of TV is a hotly debated issue. Linear viewing is still dominant but here at JCA we are delivering to an increasing number of VOD platforms. Second-screening is on the rise, but the TV looks like it’s here to stay. Here are some facts to satisfy your curiosity:

(Photo credit: Wikipedia)

  1. The average UK viewer watched 4 hours, 4 minutes of TV a day in 2012 (BARB)
  2. UK consumers purchased more than 39 million HDTVs last year (DEG)
  3. In 2012 viewers spent 100% more time watching streamed video on tablets and mobile phones than in the previous year (Ooyala)
  4. In the UK in 2012, 89.9% of linear TV was watched live, as it was broadcast (BARB)
  5. VOD accounted for 12 percent of the US consumer movie market in 2012, whilst DVDs and Blu-ray disks remained the largest source accounting for 61% (The NDP Group)

Win a £50 John Lewis Voucher

What is the most imaginative caption you can come up with for this iconic shot from Trainspotting?

Post your best effort in the ‘Comments’ section below along with your email address. The caption that gets us giggling the most will win a £50 John Lewis voucher.

The deadline for submissions is December 7 2012. The winner will be chosen at our discretion. Good luck!

JCA revives Trainspotting

Image from TrainspottingAt JCA, we take great pride in bringing classic content, most recently Trainspotting, digitally up-to-date. By restoring and remastering cult classics, we can bring old yet great films, and TV programmes, to younger generations in their own HD language. For those that enjoyed it the first time round, we can deliver their favourite movies and shows in a quality like never before.

This summer we had an exciting delivery here at JCA – the precious reel that contained Danny Boyle’s Trainspotting. Working on this gritty cult classic was exciting for many of the restoration team, especially our award-winning colourist Ray King.

So how did we do it? Restoring the film for Film 4 and Finishing Post Production required hands-on attention to detail because it was abundant with optical effects. It also needed stabilisation throughout as the negatives had joins which created movement.

We began the complicated process by working with the original negative shot in 1995. We had to actually reject the second-generation 35mm IP as the grain was too poor. Our specialists scanned the negatives at 2k resolution using infrared dirt maps to create a restoration bed. The maps were then applied with precision to ensure the original image was fully repaired and restored into high definition. The team made use of a range of software-based restoration tools to produce a master and apply Cinnafilm Dark Energy to treat the grain structure and image of the British film.

The finished result meant that Film4 could take this film to its audience in a quality never seen before. It was a great film to work on and we are able to turn it around in just two weeks. We celebrated by hosting a special screening for those that worked on it so they could enjoy it in true HD.

Remastering The Queen’s coronation in HD

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JCA has digitally remastered A Queen is Crowned for ITV Studios Global Entertainment. The Oscar-nominated and BAFTA award-winning film is the only feature-length Technicolor record of Queen Elizabeth II’s coronation. Narrated by Laurence Olivier, it conveys the sights, sounds and spirit of the historic day in 1953.

We were tasked with digitally restoring the documentary from available film elements. We scanned the negatives to super 2k resolution in order for our restoration artists, headed up by Anthony Badger, to fully repair and remaster the content, creating a high definition master.

The original film was shot in three-strip Technicolor, which presented the restoration team with a unique challenge. Varying from frame to frame, colour misregistration was a recurrent issue and needed to be addressed and corrected with rigorous attention to detail.

Having previously restored Poirot and Sharpe’s Rifles for ITV Studios Global Entertainment, they knew JCA would relish the challenge of bringing this historic documentary digitally up-to-date.

A Queen is Crowned will be available on Blu-ray in 2012, ensuring this regal event can be relived again and again in glistening HD quality.

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The Digital Resurrection of Poirot

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Poirot before restoration

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Poirot after restoration

Poirot is an iconic and timeless series adapted from the novels of one of the greatest crime writers, Agatha Christie. The famous Belgian Detective Hercule Poirot, famously portrayed by David Suchet, has solved some of the greatest fictional crimes ever seen on the big and small screens including Murder on the Orient Express, The ABC Murders and Death on the Nile. But it was JCA that was sought out to digitally restore his increasingly dated image.

Poirot was first produced on 16mm film in 1989 and was watched and enjoyed by millions. Since the original series, the production industry has advanced in leaps and bounds rendering the once advanced and cutting edge footage dated and out of touch.

It was in 2010 that JCA was tasked with the digital restoration and remastering of the 16mm film edits by ITV. The challenge was to restore and re-grade 50 episodes as HDCAM SR masters for HD transmission, taking the quality of the footage up a level as ITV sought to increase its HD content.

Using an ARRISCAN film scanner JCA was able to bring the content back to life. By restoring and encoding the film to an HD format, Poirot has hit screens with sharp grading and a new vibrant image. The ARRISCAN’s ability to run seven frames a second on a pin registered system enabled JCA to complete three 50 minute episodes in just a few days – quick results, just like Hercule Poirot himself.

Since the completion of the work the series has aired on ITV and is available via ITV Player to the delight of fans. And it’s not just the stories that have garnered praise. The film restoration work itself has received positive reviews from the likes of blu-ray.com, DVDTalk and HomeTheaterForum.

JCA was delighted to be involved in this project of resurrecting one of the most iconic detective figures, bringing Hercule Poirot into the 21st Century.

JCA host Pub Quiz night

The ultimate quiz battle took place last Thursday as a mixture of JCA clients and journalists from some of the industries leading publications went head to head in a bid to be crowned the winner of the first ever JCA Media/Distributor Pub Quiz.

In true quiz form we had an eclectic mix of questions, of varying levels of difficulty ranging from general knowledge and sport to music, media and broadcasting. There was even a round about JCA, although nothing too technical. For instance, “JCA’s home is in Acton, West London, but Acton is also the home of which English rock band?” For those for you who don’t know it’s The Who, although there were some interesting alternative answers.

The event, which took place at the Glassblower pub, right in the heart of the West End, saw Fremantle Media declared as the winners, with an impressive score of 69 out of 95.

The whole JCA team was on hand throughout the night, as the drinks flowed freely and the platters of food arrived to quell people’s appetites. Commercial Director Matt Bowman, assisted by Richard Cook from our PR team Champion Communications asked the questions whilst Managing Director Simon Kay was the master of the scores and prizes.

The atmosphere throughout the night was electric, as everyone became increasingly rowdier and competitive in a bid to win themselves a trophy, one of the star bottles of liquor, chocolates and the much sought after flashy JCA pens.

The JCA pub quiz was a huge success and a thoroughly enjoyable evening. Special thanks all the teams who attended from TVB Europe, C21, Disney, KidsCo, BBC Worldwide, BBC Motion Gallery and congratulations to Fremantle Media for taking home the trophy.

JCA restores classic British films for Film4

One of the benefits of digitisation is that it provides content/rights owners with the opportunity to restore and re-master classic content which it can then sell to broadcasters for new audiences to enjoy.

Our recent partnership with Film4 to re-master the 1986 British comedy classic Rita, Sue and Bob Too, along with other titles including Brassed Off in true High Definition is a core reflection of this.

We have worked with Film4 on many HD restoration projects in the past, which include removing all dirt, scratches and occasionally continuity errors. We were thrilled to be an integral part of these new film projects for Film4’s international distribution channel.

During this process the film elements are scanned at 2k via our Arriscan Scanner into a DPX file sequence. The DPX files are then graded to the clients’ specification  and then rendered into the file. The restoration artists utilise a vast array of restorative tools ranging from automated passes through to frame by frame hand painting – whatever the project requires, before the grain and sharpness treatments are applied.

For Rita Sue and Bob Too we were able to access the original negative. Whilst this made the grading process more challenging it did allow us to deliver the film, as it has never been seen before.

Tape: past, present and future

The Sony tape shortage, which was a result of the devastating tsunami that hit Japan earlier this year, brought the ‘the status of tape’ into the limelight. Luckily, here in Acton in west London we had tape aplenty. But that was not the case for many companies. So here at JCA we decided to carry out a survey to find out how it affected the UK production industry. The crisis forced many production companies to review their distribution methods, and the study revealed that there was a great deal of concern surrounding the tape shortage. How can we get hold of tape? Are there other alternatives? Should we think about digital distribution methods? These questions were suddenly at the forefront of people’s minds.

We discovered that although the production industry still uses tape, there is an increasing demand for digital alternatives. Obviously there are technical obstacles to overcome when migrating distribution to digital methods, but this does not need to be a scary prospect. At the ERA event in July, we announced that we have adopted the LT05/LTFS format combination, as a contribution to an industry-wide campaign to standardise data archive tape formats.

As more and more companies shift to ‘file workflows’, we wanted to find a common file based distribution medium to make our clients’ lives easier and cheaper. After all, clients come to us to take care of the technicalities, so they can focus on the distribution. Our survey found that 50% of respondents do not yet employ digital distribution methods. However, if we can standardise data archive tape formatting, it will certainly be an even more attractive option for companies. The benefits of digital delivery methods are obvious. In terms of archiving, transportation and cost, the advantages are big, and can seriously transform the way a company functions.

Currently we are in transition. Yes, digital is the future, but historic formats may never be obsolete. They are often irreplaceable, and there is nothing more rewarding than discovering a reel of film or an old format video tape, digitising it, restoring it, and delivering it in high definition, better than ever before. At JCA we pride ourselves on bridging the gap betweenmedias’ legacy formats and digital’s exciting commercial opportunities.

Matt Bowman, Commercial Director – JCA